symphony 64

Signal not showing up where it’s supposed to and routing incorrect in Pro Tools

If your signal isn’t showing up correctly in Pro Tools, coming out of Pro Tools to the desired outputs, or if the routing isn’t showing up as expected, there are a few things to check. Look below for the section that applies to the Apogee product you’re using:

 

JAM, JAM 96k, MiC, MiC 96k, Groove

  • Confirm that the device you’re using is selected as the ‘Playback Engine’ in Pro Tools by going to the the ‘Setup’ dropdown menu in Pro Tools and selecting ‘Playback Engine’. Make sure your Apogee device is selected in the ‘Playback Engine’ dropdown menu at the top of the window. If you are using JAM or MiC, you will first need to create a ‘Pro Tools Aggregate I/O’ and then you will select ‘Pro Tools Aggregate I/O’ as your ‘Playback Engine’. Click here for setting up JAM for Pro Tools.  Click here for setting up MiC for Pro Tools.
  • You may need to reset the I/O paths in Pro Tools. This is a very common thing. Click on the ‘Setup’ menu in Pro Tools and select ‘I/O’. Once the I/O Setup opens, select all of the channels in the left-hand column and hit ‘Delete’ on your keyboard.  After you’ve deleted them, click the ‘Default’ button in the lower part of the screen. Follow the same steps for each tab in I/O Setup. Once you have gone through these steps in each tab, click the ‘OK’ button to confirm changes and exit.

 

ONE (every model), GiO, Duet (every model), Quartet, Ensemble (every model)

  • Confirm that you are using the correct inputs/outputs on your device. Click here for instructions on how to setup ONE.  Click here for instructions on how to setup Duet.  Click here for instructions on how to setup Quartet.
  • Confirm that the device you’re using is selected as the ‘Playback Engine’ in Pro Tools by going to the the ‘Setup’ dropdown menu in Pro Tools and selecting ‘Playback Engine’. Make sure your Apogee device is selected in the ‘Playback Engine’ dropdown menu at the top of the window.
  • Launch ‘Apogee Maestro’ and click the ‘Reset Routing’ button in both the ‘Input Routing’ and ‘Output Routing’ tabs. If you’re using an Avid Duet or Avid Quartet, you will use ‘Pro Tools I/O Control’ app instead of Maestro. Click here if you need to download the Pro Tools I/O Control app for Avid Duet or Quartet.
  • You may need to reset the I/O paths in Pro Tools. This is a very common thing. Click on the ‘Setup’ menu in Pro Tools and select ‘I/O’. Once the I/O Setup opens, select all of the channels in the left-hand column and hit ‘Delete’ on your keyboard.  After you’ve deleted them, click the ‘Default’ button in the lower part of the screen. Follow the same steps for each tab in I/O Setup. Once you have gone through these steps in each tab, click the ‘OK’ button to confirm changes and exit.

Symphony I/O, Symphony I/O MkII, AD16x, DA16x, Rosetta 200, Rosetta 800

 

 

The Symphony Source setting keeps getting set to the wrong Port selection

The port selection switching back to the wrong setting (port 1 if you’re trying to use 2 ports or ports 1-2 if you’re trying to use 1 port) is caused by a preference file getting corrupted. This can happen from using System Preferences Sound to make your audio selections. We recommend only using Audio MIDI Setup (Applications> Utilities> Audio MIDI Setup) from now on.

To fix this issue, please follow these steps in the exact order:

– Go to the following location:

MacHD> Library> Preferences> Audio

– Once you’re in the ‘Audio’ folder, there should be 2 files in there:

com.apple.audio.DeviceSettings.plist
com.apple.audio.SystemSettings.plist

– Trash both of these files and empty the trash.

– If you still have the Symphony Release Installer package on your desktop or downloads folder, open it. If not, download it from our website and open it.

– Launch the Symphony Uninstaller and run it. Restart your Mac after the uninstall has completed.

– Open the Symphony Release Installer package and run the Symphony Software Installer. Restart your Mac after the install has completed.

– It’s a good idea to connect your Symphony I/O(s) to your Mac via USB and launch the ‘Symphony I/O Firmware Updater’ (Applications> Utilities> Symphony I/O Firmware Updater) just to double-check that your firmware is all on the current versions. If it’s not, update it. If it is, move to the next step.

– Launch Audio MIDI Setup (Applications> Utilities> Audio MIDI Setup). We recommend using Audio MIDI Setup instead of System Preferences Sound.
Make sure that ‘Symphony64′ (PCIe or Thunderbridge) is selected in the left-side column. In the ‘Source’ menu on the right, choose the appropriate port selection depending on how many Symphony I/Os you have. If you have 1 unit, choose ‘Port 1: 32ch’if you have 2 units, choose ‘Ports 1-2: 64Chs’. Quit Audio MIDI Setup and restart the computer.  Wait until the unit/units sync and stop clicking before launching Maestro. This can take a couple minutes if you’re using 2 Symphony I/Os.

 

 

 

 

What is ‘VBus’ and how do you use it?

Apogee’s VBus creates virtual hardware buses to allow expanded routing of audio within one application or between different audio applications. For example, it’s possible in Logic Pro to record a submix of multiple audio tracks onto a new audio track as described below. It’s also possible to route between two audio applications by selecting a VBus output in the source application and a VBus input in the destination application.

VBus is only available in the Symphony system. You must have either a Symphony 64 PCIe or Thunderbridge and at least one Symphony I/O, AD16x, DA16x, Rosetta 800, or Rosetta 200 to use it.

 

To use VBus:

If you have a Symphony system and everything is connected and configured properly, launch ‘Apogee Maestro 2’ from your Applications folder and go to the ‘System Setup’ tab.  Go to the right-side of the window and click the drop-down menu under ‘VBus’ to select how many channels of VBus i/o you would like to use.  As soon as you engage VBus, quit all open applications and restart your Mac.

In order for VBus I/O to appear in your audio application’s I/O list as VBus In 1-2, 3-4, etc, it’s necessary to specify the use of the Symphony driver’s names in the application’s I/O list. For example in Logic Pro X, open Mix>I/O Labels and option-click on all the I/O found under the Driver’s I/O Label column.

As an example of how to use VBus, let’s record a submix of drums onto a new stereo audio track in Logic.  In Logic’s Track Mixer, set the outputs of the individual drum audio tracks to VBout 1/2.  Create two audio tracks (or one stereo track) and set their inputs to VBin 1 and VBin 2. Record-enable the new track and commence recording. The new track will record the mix of the individual drum tracks.

Connecting 2 Symphony I/Os to a Symphony 64 Thunderbridge or PCIe card

Before going through the setup steps, be sure to confirm that you have the matching software and firmware installed. Both units need to be on the firmware from the same installer release for them to sync properly. Connect both units to your Mac via USB (use a powered hub if your Mac has USB 3.0 ports), launch the Symphony I/O Firmware Updater from your Utilities folder and confirm that the firmware is up to date for each unit. Select ‘Symphony I/O 1‘ in the drop-down menu of the firmware updater app to check the 1st unit’s firmware versions. After confirming the firmware is up to date for the 1st unit, select ‘Symphony I/O 2‘ from the drop-down menu and confirm the firmware is up to date for the 2nd unit as well. When you’re finished, quit the firmware updater and follow the steps below.

 

To connect 2 Symphony I/Os to a Symphony64 Thunderbridge or PCIe card, follow the steps below in the exact order:

 

 

– Connect the Main Port of Unit A  to Port 1 (chs 1-32) of the Thunderbridge, using a PC-32 Symphony cable.

 

– Connect the Main Port of Unit B to Port 2 (chs 33-64) of the Thunderbridge, using a PC-32 Symphony cable.

 

– Use 2 BNC cables to connect the Loop Sync output of Unit A to the Loop Sync input of Unit B and the Loop Sync output of Unit B to the Loop Sync input of Unit A. Make sure you’re using the LOOP SYNC jacks and not the Word Clock jacks.

 

– On Unit A, press in and hold on the front-panel right-side encoder knob until you come to the Audio Mode menu. Scroll until it says ‘Symphony‘ and then push in on the encoder knob again to restart the unit in Symphony mode. Do this to Unit B as well.

 

– Launch Apogee Maestro2 from your Applications folder, go to the ‘System Setup‘ tab and make sure the  “USE LOOP SYNC” check-box is CHECKED. Quit Maestro.

 

– On your Mac, launch ‘Audio MIDI Setup’ (Applications> Utilities> ‘Audio MIDI Setup’). Make sure ‘Symphony64’ is highlighted on the left-side device column. On the right-side, set the ‘Source‘ to ‘Ports 1-2: Chs 1-64‘. Quit Audio MIDI Setup and restart the Mac.

 

– Once the Mac restarts, you need to wait until the units have finished configuring before launching Maestro or ANY other software. This can take a couple minutes. You’ll hear relays clicking back and forth and you’ll see the “!” icon on the front-panels appear and disappear. When this stops after a minute or so and both units are configured, Unit A should say ‘INT‘ and Unit B should say ‘LOOP‘.

 

– As soon as both units appear to be configured and Unit A says ‘INT‘ and Unit B says ‘LOOP‘, launch Maestro and confirm that both units show up as expected.

 

Symphony I/O doesn’t show up in Maestro and exclamation mark (!) icon stays on

If you’re having an issue getting your Symphony I/O to show up properly in Apogee Maestro and the exclamation mark (!) icon stays on the front-panel, there are a few troubleshooting steps to check, depending on what Audio Interface Mode you’re using.

 

USB Audio mode

1. Confirm that your firmware and software is up to date and that the versions match. Click here and follow these instructions.

2. Confirm that your Symphony I/O is in ‘USB Audio’ mode by pushing in and holding on the right-side front-panel encoder and scrolling through the different modes until you get to ‘USB Audio’ and then push in on the encoder again to restart the unit in ‘USB Audio’ mode.

3. Confirm that you’re using the Apogee USB cable that was included with the Symphony I/O. Unplug USB cable and then plug back in to a different port and restart your Mac.

4. Power-cycle Symphony I/O.

 

Symphony mode (Symphony 64 PCIe or Thunderbridge)

1. Confirm that your firmware and software is up to date and that the versions match. Click here and follow these instructions.

2. Confirm that your Symphony I/O is in ‘Symphony’ mode by pushing in and holding on the right-side front-panel encoder and scrolling through the different modes until you get to ‘Symphony’ and then push in on the encoder again to restart the unit in ‘Symphony’ mode.

3. Launch Audio MIDI Setup (Applications> Utilities> Audio MIDI Setup). We recommend using Audio MIDI Setup instead of System Preferences Sound. Make sure that ‘Symphony64′ (PCIe or Thunderbridge) is selected in the left-side column. In the ‘Source’ menu on the right, choose the appropriate port selection depending on how many Symphony I/Os you have. If you have 1 unit, choose ‘Port 1: 32ch’… if you have 2 units, choose ‘Ports 1-2: 64Chs’. Quit Audio MIDI Setup and restart the computer.

4. If you’ve gone through the above steps and the exclamation mark (!) icon still remains on the front-panel, there is a chance that the PC-32 port on either the Symphony I/O and/or the Symphony 64 PCIe/Thunderbridge isn’t making a complete connection and needs to be cleaned with rubbing alcohol. Follow these instructions:

Disconnect the PC-32 cable (‘Symphony’ or ‘Digi-Link’ cable) and apply some rubbing alcohol (isopropyl) to the pins on the inside of the PC-32 cable’s connector end. Make sure to apply the alcohol to the top and bottom of the pins on the connector. Now plug in and unplug the cable to the ‘Main’ port of the Symphony I/O. Do this about 20 times, so the port gets clean. Now repeat this with the Main port on the Symphony 64 PCIe or Thunderbridge. After each port has been cleaned, reconnect the PC-32 cable, power-cycle the Symphony I/O, and restart your Mac.

¿Los productos de Apogee son compatibles con Pro Tools 11?

No anticipamos ningún problema y esperamos anunciar compatibilidad total para todos los productos de Apogee en las próximas semanas. Sin embargo, no podemos confirmar oficialmente total compatibilidad Apogee con Avid Pro Tools 11 hasta que el software este disponible y ha sido completamente probado. Por favor, visite nuestro sitio web para obtener la última información de compatibilidad. Si ya eres dueño de un producto Apogee, registralo yendo a: http://www.apogeedigital.com/support.php Usted recibirá una notificación de actualización por correo electrónico.

When using Apogee interface with Cubase, output volume level goes to max.

Symptom: When opening any Cubase session or selecting Apogee as the audio device, the output goes to full volume every time.

Solution: In Cubase, go to Devices > Device Setup > Control Panel > Core Audio Device Settings. Under Options, verify that set device attenuation to 0 dB is unchecked.

How do I use the custom I/O labels in Logic?

For Logic 9 and lower:

With your Apogee devive selected as the input/output in Logic’s Audio Preferences, go to the “Options” menu and select “Audio” and then “I/O Labels”. Now you can select the custom Apogee labels for your device.

For Logic X and higher:

  • Go to Logic’s Mix menu at the top of the screen and select “I/O Labels…”
  • There are several columns: Channel, Provided by Driver, User, Long, & Short.
  • To use the labels provided by the Ensemble:
    • Click the button in the Provided by Driver column.
  • To enter your own custom label:
    • Click the button in the User column.
    • Double click the “-” in the Long column, type in a new name, then press Return on your Apple keyboard

How do I set my software’s I/O buffer?

The I/O Buffer setting found in most audio software is one of the most crucial, but often ignored, settings in a Mac-based recording system. When choosing a buffer setting, a compromise between the latency through the application and the amount of computer processor power accessible to the application must be made.Latency– the slight delay between the moment you play a note and hear it in your headphones after conversion and processing.

A lower buffer setting results in lower latency but less available processing power. If the application can’t access enough processor power, processor overruns may occur, resulting in audible clicks and pops or error messages that interrupt playback and recording. A higher buffer setting, on the other hand, results in greater amount of accessible processor power (i.e. less chance of overruns) but increases the latency. Determining the best setting requires some trial-and-error in order to find the best compromise.

Keep in mind that as tracks and plug-ins are added to a software session, processor requirements increase. Thus, the buffer setting that works during the early stages of a session might result in processor overruns during later stages. The best strategy is to set the buffer to a lower setting during recording and accept certain limitations on plug-in usage, and then raise the buffer during mixing to utilize the computer’s full processor power when latency isn’t an issue. With the processing power of today’s Macs, you may find that adjustment of the buffer isn’t necessary, and you can leave it at a setting for low latency and still access a sufficient amount of processing power when adding tracks and plug-ins. If you do encounter clicks, pops or software errors, don’t hesitate to experiment with the buffer setting. Please consult the section on Working with GarageBand, Logic and Mainstage to determine how to se the I/O buffer setting is found in your audio application.