Ensemble (Thunderbolt): How To's

How do I redeem my Eventide Ensemble bundle?

For a limited time (July 10th 2018 thru January 10th 2019)
Customers who buy a new Apogee Ensemble or Element Series Thunderbolt audio interface from an
authorized Apogee dealer get a Discount Coupon good for a free six-month subscription to the Eventide Ensemble bundle (a $180 value).

To receive this promotion,

  1. Purchase a new Ensemble Thunderbolt or Element 24,46 or 88 from an authorized Apogee dealer
  2. Register the product on the Apogee website and opt-in to receive your license code via email
  3. Use the link in the email to redeem your code from Gobbler.com (Each unique license is embedded in the link within the email. You cannot redeem the plugins unless you click through this link in the email.)
  4. Login to register your Gobbler account and click on ‘Redeem’
  5. Download and installer the Gobbler client
  6. Use the Gobbler client to download, install and activate the plugins.

For additional questions about this Eventide Ensemble bundle, please visit Eventide’s FAQ’s.

 

Logic Direct Monitoring

What is Logic Direct Monitoring?

 Hardware – Software Requirements

  1. Element Series + Ensemble Thunderbolt with July 2017 software and firmware updates
  2. Requires Logic Pro 10.3.2 or greater
  3. Direct Monitoring feature enabled only with a single Apogee interface – Direct Monitoring is disabled when multiple Apogee interfaces are connected.

Setting up Logic Pro to use Direct Monitoring

  1. In Logic Pro > Preferences > Audio > General, check Software Monitoring.
  2. In the Logic Pro menu bar, choose Record > Auto Input Monitoring if the setting is unchecked.
  3. Configure Logic Pro for use with an Apogee Element Series or Ensemble Thunderbolt interface
  4. In Logic Pro, choose View > Show Mixer if Mixer isn’t displayed.
  5. In the Mixer pane, choose View > Channel Strip Components, then select Audio Device Control if it is unchecked.
  6. At the top of the Channel Strip, Audio Device and Monitoring controls should now be displayed.

Are Bus Sends active in Direct Monitoring Channel Strips?

Yes, Logic Pro Bus sends operate as expected when the Channel Strip is in Direct Monitoring mode, allowing the user to send the signal to a reverb or other effect. Note that the send is delayed in relation to the Direct Monitoring signal, but this delay is rather inconsequential in the context of a reverb send.

What about plugins?

Plugins appear active but aren’t processing the Direct signal. Plugins DO process the Bus sends (i.e. reverb sends). Also, when audio is played back from tracks through the Channel Strip, plugins process the playback signal.

 Can I engage Direct Monitoring on Multiple Channel Strips and mix them to one stereo output?

Yes, it’s possible to engage Direct Monitoring on as many Channel Strips as there are hardware inputs. For example, an Element 46 has 4 analog and 8 optical inputs – thus, it’s possible to engage Direct Monitoring on up to 12 Channel Strips and mix them to one stereo output.

Can I create create Direct Monitoring mixes for multiple hardware outputs?

Yes, it’s possible to create up to 4 stereo mixes using Ensemble Thunderbolt and 3 stereo mixes using Element Series interfaces. Note that it isn’t currently possible to route a hardware input to two different mixes. Also note that it’s not possible to route a Direct Monitoring mix to Element Series optical outputs.

How does Direct Monitoring interact with Apogee Control low latency mixers

  • Direct Monitoring mixers are in addition to Apogee Control mixers. Users may employ both if they so desire.
  • Apogee Control low latency mixers. This means that, practically, users should employ one approach or the other.

Duet, Quartet, and Ensemble Thunderbolt’s 1/4″ and XLR inputs explained

When using Duet2, Duet for iPad & Mac, Quartet, and Ensemble Thunderbolt, it is important to remember that any of the dual XLR-1/4″ combo jacks are set up so when the input is set to ‘Mic’ or ‘Line’ (+4dBu or -10dBV), only the XLR part of the jack will receive signal. This means that you will need to use an XLR cable or a cable with an XLR adapter connected to it.

The same is true in reverse- when the input is set for ‘Instrument’, only the 1/4″ part of the jack will receive signal.  This means that you will need to use a 1/4″ cable.

 

Here are some examples for setting up different types of input sources on Duet, Quartet, and Ensemble Thunderbolt:

 

Mics

Connect your Mic using only an XLR cable (no 1/4″ adapters or cables) to the XLR input jacks on your Apogee device.

Launch ‘Apogee Maestro’ from your Applications folder, go to the ‘Input’ tab and ‘Analog Level’ drop-down menu for whichever input you’re using to ‘Mic’.

If you’re using a condenser mic that requires phantom power, engage the ’48′ button on the input you’re using.

Gradually bring the input level in Maestro up until you get a good level from your input source. Make sure the meter isn’t going into the red.

 

 

Guitars, Basses, Keyboards, Hi-Z Mics that have 1/4″ cables, such as harmonica mics:

Connect your Instrument using only a 1/4″ instrument cable to the 1/4″  input jacks. (be sure that you’re connecting to the 1/4″ inputs on the combo XLR-1/4″ jacks and not the 1/4″ output jacks)

Launch ‘Apogee Maestro’ from your Applications folder, go to the ‘Input’ tab and ‘Analog Level’ drop-down menu for whichever input you’re using to ‘Instrument’.

Gradually bring the input level in Maestro up until you get a good level from your input source. Make sure the meter isn’t going into the red.

 

Sending Line-Level audio to your Apogee device and bypassing it’s mic-pres

Connect the output from your line-level piece of gear (such as a compressor or external mic-pre) to the XLR input jacks. If your Line-Level device only has 1/4″ outputs, you will need to use balanced 1/4″ to male XLR cables. You can’t use the 1/4″ input jacks on your Apogee device, as they are only used for guitars/basses/keyboards.

Launch ‘Apogee Maestro’ from your Applications folder, go to the ‘Input’ tab and ‘Analog Level’ drop-down menu for whichever input you’re using to ‘+4dBu’ (for use with professional audio gear) or ‘-10dBv’ (for use with consumer audio gear).

 

Power-up order for Ensemble Thunderbolt

When powering up the Ensemble Thunderbolt, it’s recommended to  always connect it to power first before connecting it to Thunderbolt.

 

– Connect Ensemble to power

– Connect Ensemble to Mac via Thunderbolt

– Power up Ensemble

Gain Staging – How to set proper levels with your Apogee product and recording software

Use the following steps to set input and output levels on your Apogee interface. 

Before launching your recording software:

1. Turn down the speaker/headphone output level of your Apogee interface.

2. Connect your audio source to your Apogee interface. Make sure to use the proper inputs.

• If you’re using a microphone, plug the microphone into the XLR input.

• If you’re using a guitar, bass, or other high impedance instruments, plug them into the 1/4″ instrument input.

• If you’re using an external mic-pre or another piece of line-level gear, use the XLR inputs.

Quick Tip: Some keyboards and synths can be plugged into either the Instrument or XLR inputs. You might have to experiment with what sounds better.
 

3. Launch Apogee Maestro and go to the input tab. Make the appropriate selection in the Analog Level drop-down menu for the input channel you are using.

• Microphone (Mic) – depending on the Apogee interface you are using, you would choose Ext Mic/Ext Mic 48v (ONE) or Mic (Duet, Quartet, Ensemble, SymphonyI/O with MicPre module). You will need to engage the 48v button for if you’re using a mic that requires phantom power.

• Instrument (Inst) – Guitar/Bass/some keyboards

• Line Level (+4dBu/-10dBV for balanced/unbalanced connections) – This setting is used when connecting external microphone preamps and other line-level gear.

NOTE: If you have the ONE, a line-input is accommodated by choosing Ext Mic and turning the input gain all the way down.
 

4. Set the input gain of your Apogee interface.

There are two ways you can adjust your input gain:

• By adjusting the input software encoder in Maestro

• By turning the physical knob (encoder) on your Apogee interface (make sure you’ve set the knob to control the input channel and not the output level. See your User’s Guide for more information on setting this).

Quick Tip: Ideally, the level in the input meter should be as high as you can get it without hitting an “over”. If you see red in the meter, you know you need to turn the input gain down. In some cases you may need to adjust the output of the audio source you are using. You may need to move your microphone closer to the sound source or further away. You may need to turn the level of your guitar or keyboard up or down.
 

Launch your recording software, create an audio track, and put the track into input or record mode. It is a good idea to leave the fader of the track you are recording and any Master Fader for the mix set at their default setting.

5. Adjust the output level of your Apogee interface.

• Gradually increase the output level of your Apogee interface so you can hear what your input source sounds like in the speakers or headphones.

• After you get the output set to a comfortable listening level, listen for any distortion in the input audio.

• If the audio sounds bad, you may have something set wrong. Go through steps 2, 3, and 4 to trouble-shoot the problem.

Note: Two common issues are that the sound is too quiet or that it’s distorted. It may be a simple case of needing to turn the input gain up and the output level down or the input gain down and the output level up.

How to do parallel drum compression in Logic?

Part 1

 

Part 2